Indie Bloops and Bleeps: Live Bloops: Seams/Koreless @Horst Krzbrg, Berlin, Germany

Sunday, July 15, 2012

Live Bloops: Seams/Koreless @Horst Krzbrg, Berlin, Germany

Last night was a good showcase for that old question: To what extent does a DJ have to adapt to the audience he is playing to? Jami Welch aka "Seams" and Lewis Roberts aka "Koreless" - both British DJs and architects of some great chill tracks like "MTI" or "Focus Energy" below - were entertaining at a Dimensions Festival warm-up event at "Horst Krzbrg" in Berlin. I had heard their tracks on soundcloud and was curious on how they were going to bring those slow sounds to the club. The show was free, the club packed, and everything was led in by some house and UK-dubstep beats.

Welch had been living in Berlin for some months recently and therefore had some experience with the Berlin crowd. In an interview he gave to TLOBF after that stay in Berlin, he said he was producing more upbeat and driving sounds since then: “It’s really interesting the effect you can have on a crowd. I wanted the new tracks to show a different side, and at shows for people not to be just stood stroking their chins. It’s crazy the reaction you get from just putting a 4/4 kick-drum on. I started playing these tracks in Germany recently and they weren’t really digging the whole ten minutes of street noise, glockenspiels et cetera and as soon as the beat kicks in they were all ‘Yeeeeah, tecccchhnnooo!’ (shakes fist).”



This evening, that experience proved to be golden. Because although Seams had changed his sound so much that I didn't recognize him being on the decks until after half an hour, Koreless - following Seams set - was about to show what happens when you don't play to the crowd's needs. He just spun his sounds the way they can be heard on his soundcloud, neglected the beat and as a result provoked a lot of standing around, chatting, texting - and in one instance: back massaging. He was withholding the bass from people who clearly wanted to dance and clung to each little beat or bass drop as if they were starving. Though wonderful in itself, his set just did not match the setting and a friend of mine rightfully called him egoistic for it. We left the club shortly after his set, not soaked in sweat like we had hoped and a bit disappointed because of that. I hope the Dimensions Festival uses this as a warning and puts him in some chill-out daytime slot.

2 comments:

  1. How can you hate on the man for playing his music the way he intended it to be played? It sounds like a lot of the people didn't 'get' his music. It's not egotistical to play a set in the style he likes. Would you call Theo Parrish egotistical for playing what he has picked out at a record shop and would like to hear?

    I don't see why he should play to the crowds needs, if you are going to see Koreless, why expect him to play in a different style to the music he produces.

    When Koreless played @ Thekla in Bristol he tore the place down. Not one sign of back massaging, texting or chattting.

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    1. Hi Duff, thanks for your comment.

      I did not mean to spread any kind of hate. I really like Koreless' tracks, else I would not have been there that night. But I had expected him to adapt to the scene, at least a bit. An artist should stay true to his art, yes, but at the same time open to some variation in a live setting, I feel.

      Glad to hear that it turned out great in Bristol. And I bet people will very much enjoy his set at the Dimensions Festival, if he is allowed to play a place/time/crowd that fits his tunes.

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